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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Other Cinema calendar, Spring 1994. Programs include Weiss + Tell + Greene + Sweeney + Povey +; Gorin's Cabengo + Cazzazza's Siamese Twins; "Priscilla" + "Jayne" + "Betty" + "Michael"+; Sax + Sundaram + Cockrell + Donovan +; Lynn Kirby's 3 Interiors + Installations +; Zando's UH-OH! + Ahwesh/Strosser's Weather; Palazzolo/Ciessielka + Buñuel + Tilton +; Poe + Fellini + Corman + Roeg + Price + Fonda; Bickford + Svankmajer + Pal + The Runties +; Rose X' Alien Dreamtime + McKenna + Kent +; Patiris' Biosphere + Jones' Republicans +; Eisenstein's Que Viva Mexico! + Hoolboom; Gomez Peña + Fusco + Street + Katz +; Sachs' Which Way Is East + Weber + silt; and New Experimental Works. 
 
Fifteen programs presented Spring 1994. Featuring work by Martin Arnold, Betsy Weiss, Thad Povey, Susan Greene, Julia Tell, Kathleen Sweeney, Perry Meigs, Alexander Hammid, Ray Birdwhistle, Jean-Pierre Gorin, Monte Cazazza, Stacey Richter, Anna Lee Keefer, Dan Kapelovitz, Laurie Partridge, Joe Westmoreland, Fabio Roberti, Jayne Mansfield, Charles Piere, Nao Bustamante, Erin Sax, Anjali Sundaram, Susan [sic] Donovan, Susanne Cockrell, Jennifer Kanter, Sarah Lewison, Ann [sic] McGuire, Kim Woods, Lynn Kirby, Julie Zando, Peggy Ahwesh, Margaret Strosser, Tom Palazzolo, Thomas Ciessielka, Luis Buñuel, Kenneth Anger, Federico Fellini, Roger Corman, Bruce Bickford, J.C. Wegman, Matt Day, Ladislaw Starevitch, Jan Svankajer, David Cox, Glenn Mayfield, Pam Kray, Barbara Lattanzi, George Pal, Gerry Anderson, Todd Haynes, Ken Adams, Britt Welin, Phil Patiris, Sergei Eisenstein, Michael Hoolboom, Steve Sanguedolce, Coco Fusco, Guillermo Gomez Peña, Paula Heredia, Mark Street, Lynne Sachs, Marshall Weber, Keith Sanborn, Thad Povey, Karen Rester, Gibbs Chapman, Kurt Keppeler, Anne McGuire, Steve Dye, Deke Weaver, David Cox, Elena Popa, Troy Innocent, Danny Plotnick, David Sherman, and Carolyn Cooley. </text>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. 
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Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>&lt;p&gt;&lt;strong&gt;&lt;a href="https://www.sfcinematheque.org/"&gt;San Francisco Cinematheque&lt;/a&gt;&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt; presents regular screenings of non-commercial and non-narrative at public venues in San Francisco (and elsewhere in the San Francisco Bay Area). &lt;/span&gt;&lt;strong&gt;&lt;i&gt;San Francisco Cinematheque Program Notes 1984–2000 &lt;/i&gt;&lt;/strong&gt;&lt;span style="font-weight: 400;"&gt;is a series of compiled books of Program Notes documenting films and screenings presented by Cinematheque 1984–2000. Compiled annually, these Notes include curatorial statements on programs, original and cited statements on works screened, artist biographies and filmographies. Some volumes indexed.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque; Canyon Cinema; Bruce Baillie</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque and Canyon Cinema. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;&amp;nbsp;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at sfc@sfcinematheque.org. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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                  <text>c. 1960-2010</text>
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                  <text>&lt;p&gt;&lt;b&gt;Bruce Baillie&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; (1931–2020) was an American filmmaker widely hailed as a master of 16mm personal filmmaking, whose works epitomize the “lyrical” mode of filmmaking strongly identified with ‘60s era northern California counterculture. In 1961 Baillie staged an impromptu film screening in his mother’s front yard in the rural community of Canyon CA. This screening—dubbed Canyon Cinema—was followed by more and eventually grew into a peripatetic film series, filmmaker support organization, publisher (of &lt;/span&gt;&lt;a href="https://connects.canyoncinema.com/327-2/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema News&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;) and avant-garde film distributor. To this day both San Francisco Cinematheque and &lt;/span&gt;&lt;a href="http://canyoncinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; trace their origins to the visionary moment of Baillie’s 1961 screening.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The &lt;/span&gt;&lt;b&gt;&lt;i&gt;Bruce Baillie Artist File&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;span style="font-weight: 400;"&gt;collection contains primary and secondary documents relating to the life and work of Bruce Baillie drawn from the Artist File of San Francisco Cinematheque and Canyon Cinema. The collection includes notes on Baillie’s films, letters to the staff of Cinematheque and Canyon, press clippings and reviews, press releases and program announcements, photocopied photos of Baillie and his family members and friends, interviews, filmographies, biographical info and critical essays. Collection also includes &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Bruce Baillie: Life/Work&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, a commemorative zine created by Timoleon Wilkins 1995 and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmmakers Filming: Bruce Baillie&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, published by Film in the Cities/the Walker Art Center in 1979. Please see item descriptions for more information on contents.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;NOTES ON BROWSING: &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;Items (other than booklets/zines) in this collection have been scanned, grouped and described at the “folder level.” Thereby, each “item” consists of multiple pages of disparate materials relating to the life and work of the subject. Browsing within each item is encouraged!&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="http://canyoncinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000001" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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                <text>Limited edition zine, created in honor of Bruce Baillie's return to the Bay Area and in conjunction with a week-long series of screenings, talks, and other activities by and for the artist, April 17-22, 1995. This zine was published by the San Francisco Cinematheque and very few copies exist. Contains photographs, journals, letters, and criticism, including original writing. Edited by Timoleon Wilkins.</text>
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            <elementTextContainer>
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                <text>"Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests."</text>
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                  <text>&lt;span&gt;Rights to these publications are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law.&amp;nbsp;&lt;/span&gt;&lt;b&gt;Permission to use material:&lt;span&gt;&amp;nbsp;&lt;/span&gt;&lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at&amp;nbsp;&lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library. </text>
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