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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Bruce Baillie Artist File</text>
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                  <text>San Francisco Cinematheque; Canyon Cinema; Bruce Baillie</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque and Canyon Cinema. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;&amp;nbsp;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at sfc@sfcinematheque.org. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>c. 1960-2010</text>
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              <description>The topic of the resource</description>
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                  <text>Bruce Baillie</text>
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                  <text>&lt;p&gt;&lt;b&gt;Bruce Baillie&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; (1931–2020) was an American filmmaker widely hailed as a master of 16mm personal filmmaking, whose works epitomize the “lyrical” mode of filmmaking strongly identified with ‘60s era northern California counterculture. In 1961 Baillie staged an impromptu film screening in his mother’s front yard in the rural community of Canyon CA. This screening—dubbed Canyon Cinema—was followed by more and eventually grew into a peripatetic film series, filmmaker support organization, publisher (of &lt;/span&gt;&lt;a href="https://connects.canyoncinema.com/327-2/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema News&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;) and avant-garde film distributor. To this day both San Francisco Cinematheque and &lt;/span&gt;&lt;a href="http://canyoncinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; trace their origins to the visionary moment of Baillie’s 1961 screening.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;The &lt;/span&gt;&lt;b&gt;&lt;i&gt;Bruce Baillie Artist File&lt;/i&gt;&lt;/b&gt;&amp;nbsp;&lt;span style="font-weight: 400;"&gt;collection contains primary and secondary documents relating to the life and work of Bruce Baillie drawn from the Artist File of San Francisco Cinematheque and Canyon Cinema. The collection includes notes on Baillie’s films, letters to the staff of Cinematheque and Canyon, press clippings and reviews, press releases and program announcements, photocopied photos of Baillie and his family members and friends, interviews, filmographies, biographical info and critical essays. Collection also includes &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Bruce Baillie: Life/Work&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, a commemorative zine created by Timoleon Wilkins 1995 and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmmakers Filming: Bruce Baillie&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;, published by Film in the Cities/the Walker Art Center in 1979. Please see item descriptions for more information on contents.&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;b&gt;NOTES ON BROWSING: &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;Items (other than booklets/zines) in this collection have been scanned, grouped and described at the “folder level.” Thereby, each “item” consists of multiple pages of disparate materials relating to the life and work of the subject. Browsing within each item is encouraged!&lt;/span&gt;&lt;span style="font-weight: 400;"&gt;&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;&lt;span style="font-weight: 400;"&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="http://canyoncinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
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          <name>Local URL</name>
          <description>The URL of the local directory containing all assets of the website</description>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000002" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>FILMMAKERS FILMING: BRUCE BAILLIE</text>
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            <description>The topic of the resource</description>
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                <text>Motion picture producers and directors--United States; Experimental films--California--San Francisco Bay Area; Baillie, Bruce, 1931-2020</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Monograph, dedicated to the work of Bruce Baillie. Created by Film in the Cities and Walker Art Center as part of this Filmmakers Filming booklet series. Includes in-depth critical analysis of Baillie's filmmaking. Limited printing.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>Callenbach, Ernest; Film in the Cities</text>
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          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="11992">
                <text>"Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests."</text>
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            <description>The nature or genre of the resource</description>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>booklet</text>
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            <description>A language of the resource</description>
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                <text>eng</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
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              <name>Description</name>
              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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              <description>An entity primarily responsible for making the resource</description>
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                  <text>Craig Baldwin</text>
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              <description>A related resource from which the described resource is derived</description>
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                  <text>Other Cinema</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                  <text>c.1982–2018</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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              <description>A language of the resource</description>
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                  <text>English</text>
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              <name>Coverage</name>
              <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                  <text>San Francisco, Calif.</text>
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      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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                <text>Films for Human Trash/'Dope Rolls' Drug-Film Show flyer, 4/25/1998</text>
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                <text>Flyer for the Films for Human Trash/'Dope Rolls' Drug-Film Show, which took place on April 25, 1998. Includes films by Daniel Robins, Diane Nerwen &amp; Les Leveque and the U.S. Government. Drawing by Jack Stevenson</text>
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                <text>Other Cinema; Artists Television Access (ATA)</text>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. 
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                <text>Other Cinema;Artists Television Access (ATA)</text>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. 
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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                  <text>&lt;p&gt;&lt;b&gt;Gunvor Nelson &lt;/b&gt;&lt;span style="font-weight: 400;"&gt;(1931–2025) was one of the most highly acclaimed filmmakers in American avant-garde film. Born in Stockholm, Sweden, Nelson grew up Kristinehamn and moved to northern California in 1953 to study art and art history. Nelson began making films in the early 1960s, releasing her first two films—&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Schmeerguntz&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1966) and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Fog Pumas&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1967)—Both collaborations with Dorothy Wiley—eventually creating over twenty-five films and digital video works, described by Steve Anker as “one of the great bodies of independent work in the history of the medium.” An uncompromising filmmaker, Nelson regards her own works as “personal films,” a recurring element of which is the connection with her own life and experiences. The early films are based around the experiences of a younger woman, culminating in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1969), an expressive portrait of her daughter and &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Moons Pool &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1973), an existentially expressive underwater journey which centres on her own body. With&lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt; Trollstenen&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1976), she began a series of films about Kristinehamn and her family. Typically for Nelson, elements which are local and private fuse together with the general and universal. Nelson’s family and generational study &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Red Shift &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1984), and her painfully sensitive portrayal of her dying mother in &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Time Being &lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;(1991) are regarded as the high points of her family and hometown productions. Nelson moved back to Kristinehamn in 1993, a homecoming already hinted at in her rhythmically edited collage film &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Frame Line&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; (1983). Having returned to Sweden she quickly moved on to digital video and was rediscovered in Swedish art circles, resulting in a number of awards and retrospectives both at home and abroad. During Nelson’s life in northern California (1953–1993), she was a central figure in the regional art and filmmaking and, with her husband Robert Nelson, played a key role in the development of &lt;/span&gt;&lt;a href="http://www.canyoncinema.com"&gt;&lt;span style="font-weight: 400;"&gt;Canyon Cinema&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; and screened regularly with San Francisco Cinematheque. Nelson also influenced generations of filmmakers in her role as a teacher at the San Francisco Art Institute (1970-1992). In 2019, Nelson’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;My Name Is Oona&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; was selected by the US Library of Congress for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant" &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;(Artist bio adapted from &lt;/span&gt;&lt;/i&gt;&lt;a href="https://www.filmform.com/artists/1305-gunvor-nelson/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Filmform&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt;Cinematheque’s digital collection, the &lt;/span&gt;&lt;b&gt;&lt;i&gt;Gunvor Nelson Artist File&lt;/i&gt;&lt;/b&gt; &lt;span style="font-weight: 400;"&gt;contains twelve items, dated 1970–1992, documenting Nelson’s life and career, including promotional ephemera, program reviews, program notes, correspondence and writings by Chick Strand, James Irwin, Dorothy Wiley and Nelson herself. The twelve items in this digital collection were selected for digitization from Cinematheque’s larger artist file on Nelson.&lt;br /&gt;&lt;br /&gt;This digital collection was created in partnership with &lt;/span&gt;&lt;a href="https://californiarevealed.org/"&gt;&lt;span style="font-weight: 400;"&gt;California Revealed&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>Gunvor Nelson; Bolinas Hearsay News; Bolinas Film Society; San Francisco Cinematheque; James Irwin; Paul Liberatorel; Marin Independent Journal; The New Cinema Seminar; and Dorothy Wiley.</text>
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                  <text>c.1970-1992</text>
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                  <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>&lt;span style="font-weight: 400;"&gt;Rights to these materials are held by San Francisco Cinematheque. Cinematheque encourages the use of copyrighted materials in accordance with fair use, as defined by copyright law. &lt;/span&gt;&lt;span style="font-weight: 400;"&gt;For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material:&lt;/b&gt;&lt;span style="font-weight: 400;"&gt; To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;</text>
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              <text>&lt;iframe width="1000" height="700" src="https://archive.org/embed/casfc_000149" frameborder="0" webkitallowfullscreen="webkitallowfullscreen" mozallowfullscreen="mozallowfullscreen" allowfullscreen="allowfullscreen"&gt;&lt;/iframe&gt;</text>
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            <name>Subject</name>
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                <text>Experimental films; Feminist films; Art</text>
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                <text>Article written about the creative partnership between Gunvor Nelson and Dorothy Wiley and their film Before Need in the Marin Independent Journal. </text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1979</text>
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                <text>Digitization made possible through support provided by California Revealed and the California State Library.</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="14878">
                <text>Copyright status unknown. This work may be protected by the U.S. Copyright Law (Title 17, U.S.C.). In addition, its reproduction may be restricted by terms of gift or purchase agreements, donor restrictions, privacy and publicity rights, licensing and trademarks. This work is accessible for purposes of education and research. Transmission or reproduction of works protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. [Insert name of Library/Archive] attempted to find rights owners without success but is eager to hear from them so that we may obtain permission, if needed. Upon request to [insert email address at Library/Archive], digitized works can be removed from public view if there are rights issues that need to be resolved.</text>
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                <text>SFC-AF_GNelson_MarinIndependentJournal</text>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
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              <description>An account of the resource</description>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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                  <text>Craig Baldwin</text>
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                  <text>Other Cinema</text>
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                  <text>c.1982–2018</text>
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                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco, Calif.</text>
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                <text>Happy Birthday Craig ephemera</text>
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                <text>"Happy Birthday Craig!!! Long live OC! As the yuppie monster consumes San Francisco... ATA/OC lives!! Invincible, indestructible... long live other cinema!" handwritten on a piece of paper with collaged images.</text>
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                <text>Other Cinema; Artists Television Access (ATA)</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.&#13;
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. &#13;
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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              <name>Title</name>
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                  <text>Avant to Live! Craig Baldwin/Other Cinema Digital Collection</text>
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                  <text>&lt;p&gt;&lt;a href="http://www.othercinema.com/"&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema&lt;/span&gt;&lt;/a&gt; &lt;span style="font-weight: 400;"&gt;is an underground film/video exhibition series founded by filmmaker Craig Baldwin in 1985. Still active as of 2022, Other Cinema presents approximately 36 programs annually at the storefront community arts space &lt;/span&gt;&lt;a href="http://www.atasite.org"&gt;&lt;span style="font-weight: 400;"&gt;Artists’ Television Access&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt;, located at 992 Valencia Street in San Francisco. Known for its passionate and expansive curatorial vision and contrarian stance toward the mainstream culture of media consumption, Other Cinema is known for its engagement with marginalized forms of film history, including activist media, expanded cinema performance, speculative lecture presentations, screenings of films from Baldwin’s own archive, in-person artists and more. Cinematheque’s &lt;/span&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Other Cinema Digital Collection&lt;/span&gt;&lt;/i&gt;&lt;span style="font-weight: 400;"&gt; consists of material digitized by Cinematheque in the course of creating &lt;/span&gt;&lt;a href="https://www.sfcinematheque.org/shop/craig-baldwin-avant-to-live-coming-soon/"&gt;&lt;i&gt;&lt;span style="font-weight: 400;"&gt;Craig Baldwin: Avant to Live!&lt;/span&gt;&lt;/i&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; documenting Baldwin’s work on Other Cinema. Materials include seasonal exhibition calendars, promotional ephemera, curatorial notes and artifacts, signage and other material related to the history of Other Cinema.&lt;/span&gt;&lt;/p&gt;</text>
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                  <text>San Francisco Cinematheque</text>
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                  <text>&lt;span style="font-weight: 400;"&gt;Craig Baldwin, Other Cinema &lt;/span&gt;</text>
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              <name>Creator</name>
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                  <text>Craig Baldwin</text>
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              <name>Source</name>
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                  <text>Other Cinema</text>
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              <name>Date</name>
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                  <text>c.1982–2018</text>
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              <name>Rights</name>
              <description>Information about rights held in and over the resource</description>
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                <elementText elementTextId="436">
                  <text>&lt;p&gt;&lt;span style="font-weight: 400;"&gt;Referencing the originating collection, Craig Baldwin has been listed as a Creator for almost every item in this collection. For materials created or co-created by others, reasonable effort has been made to determine authorship and in cases in which this was determined, these creators have been identified. We seek more information on all materials in this collection however so if you feel that you are the author or creator of any item in this collection, please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span style="font-weight: 400;"&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span style="font-weight: 400;"&gt; to discuss proper attribution. &lt;/span&gt;&lt;b&gt;Permission to use material: &lt;/b&gt;&lt;span&gt;To request material from Cinematheque’s online collections for use in publications (including use in books, periodicals, films, exhibitions, websites and other uses), please contact Cinematheque staff at &lt;/span&gt;&lt;a href="mailto:sfc@sfcinematheque.org"&gt;&lt;span&gt;sfc@sfcinematheque.org&lt;/span&gt;&lt;/a&gt;&lt;span&gt;. Note that further copyright clearance may be needed in order to use material in this manner and would therefore require negotiation with rights holders as well as from Cinematheque for such use. Associated access fees may apply to requests for use of material from Cinematheque’s Archives.&lt;/span&gt;&lt;/p&gt;</text>
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              <name>Language</name>
              <description>A language of the resource</description>
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                  <text>English</text>
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                  <text>San Francisco, Calif.</text>
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      <name>Still Image</name>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>I (Heart) Spectacle! flyer, 03/1999</text>
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            <name>Date</name>
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                <text>3/20/99</text>
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                <text>Flyer for the I (Heart) Spectacle! program at Other Cinema, which took place on 3/20/1999. Includes films by Sam Green and Johan Grimonprez.</text>
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                <text>flyers (printed matter)</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="2481">
                <text>Courtesy of San Francisco Cinematheque. This work is made accessible for purposes of education and research.
Transmission or reproduction of materials protected by copyright beyond that allowed by fair use requires the written permission of the copyright owners. Works not in the public domain cannot be commercially exploited without permission of the copyright owner. Responsibility for any use rests exclusively with the user. 
Contact the San Francisco Cinematheque archivist for more information about reproduction and permission requests.</text>
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            <name>Identifier</name>
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                <text>CBATL_OC-05-F17-001</text>
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